A language punctuated with fragility and sensitivity. A poetry written in glass, from jewelry to objects or even tableware offering a universe oscillating between delicacy and massiveness. These blown glass works are sculptures before offering their visions of their usefulness; glass and ashtrays are anchored ideas before being tamed.

Justine Menard at her studio | 00:00:00 | |

ALGAÏA. Collection of blown glass relics, shaped by breath and inspired by a forgotten underwater kingdom, designed to be worn as quiet expressions of inner states.

matter and shape 2026
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Kindred Black
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L'artisan parfumeur
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Argot Studio
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Justine Menard, Cordera | 00:00:00 | |

Each blown piece is inherently unique, shaped by breath and the nuances of the hand. Like fragments of glass poetry or table jewelry, each one carries its own presence.

1. Jewelry

An invitation to adornment, this collection extends a language shaped by poetry and mythology.
Each piece is formed in borosilicate glass through an intuitive gesture, giving rise to fluid, organic forms that balance fragility and presence. Jewelry becomes an extension of the self — revealing a deeper sense of identity, desire, and quiet expression.

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2. Cabinet of curiosity

An exploration of curiosity, this space brings together collaborations, experiments, and ongoing conversations.
It reflects a body of work shaped through encounters, with brands, contexts, and new scales , where each project becomes an opportunity to explore the language of glass differently.

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3. Object of desire

An expression of desire, this collection explores the object as something to be slowly tamed.
Shaped in glass through an intuitive gesture, each piece exists between sculpture and function, holding a quiet, magnetic presence. Conceived as objects of desire, they invite an intimate relationship where form is not only seen but felt, something to live with over time.

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Justine wearing, Tav Ring

La Sonette by Luba Kozorezova